So, that means The Eminem Show is essentially a holding pattern, but it's a glorious one - one that proves Eminem is the gold standard in pop music in 2002, delivering stylish, catchy, dense, funny, political music that rarely panders (apart from a power ballad "Dream On" rewrite on "Sing for the Moment" and maybe the sex rap "Drips," that is). All this is married to a production very similar to that of its predecessor - spare, funky, fluid, and vibrant, punctuated with a couple of ballads along the way. This, of course, encompasses many, many familiar subjects - his troubled childhood his hatred of his parents his turbulent relationship with his ex-wife, Kim (including the notorious incident when he assaulted a guy who allegedly kissed her - the event that led to their divorce) his love of his daughter, Hailie and, of course, all the controversy he generated, notably the furor over his alleged homophobia and his scolding from Lynne Cheney, which leads to furious criticism about the hypocrisy of America and its government. And it is, as he spends much of the album commenting on the media circus that dominated on his life ever since the release of Marshall Mathers. Third time around, it's The Eminem Show - a title that signals that Eminem's public persona is front and center, for the very first time. Second time at bat, he turned out The Marshall Mathers LP, delving deeper into his past while revealing complexity as an artist and a personality that helped bring him an even greater audience and much, much more controversy. First time around, Eminem established his alter ego, Slim Shady - the character who deliberately shocked and offended millions, turning Eminem into a star.
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The top-10 selling albums of the past 11 years are Twain’s “Come on Over” (14.5 million), Alanis Morissette’s “Jagged Little Pill” (14 million), Metallica’s self-titled release (13 million), Backstreet Boys’ “Millennium” (12 million), “The Bodyguard” soundtrack (11.7 million), Santana’s “Supernatural” (11.1 million), Creed’s “Human Clay” (11.09 million), ‘N Sync’s “No Strings Attached” (11.02 million), Celine Dion’s “Falling Into You” (10.5 million) and Britney Spears’ “… Baby One More Time” (10.4 million).Īdditionally, according to Nielsen Broadcast Data Systems, Nickelback’s “How You Remind Me” was the most-played song of 2002 with 426,507 spins, followed by Puddle Of Mudd’s “Blurry” (415,417 spins).Purchase and download this album in a wide variety of formats depending on your needs. In addition to her success with “Up!” Twain is also the top-selling artist of the SoundScan era. This increase was largely fueled by such crossover sensations as Dixie Chicks, Shania Twain, Alan Jackson, and Faith Hill. 2001 Total album sales in 2002 were 681 million, compared with 762.8 million the previous year.Ĭountry album sales posted the largest increase last year as sales rose 12.2% from 2001.
It was the second straight year the market declined, following steady growth since Nielsen SoundScan first began tracking the U.S. Still, total CD album sales were down 10.7% in 2002, marking the sharpest sales decrease from the previous year in Nielsen SoundScan’s 11-year tracking history.īeyond “The Eminem Show” and “8 Mile,” the top-10 selling albums of last year were “Nellyville” (4.9 million), Avril Lavigne’s “Let Go” (4.1 million), Dixie Chicks’ “Home” (3.7 million), Pink’s “Missundaztood” (3.1 million), Ashanti’s self-titled release (3.09 million), Alan Jackson’s “Drive” (3.05 million), Shania Twain’s “Up!” (2.9 million) and the “O Brother, Where Art Thou?” soundtrack (2.7 million). The soundtrack to the rapper’s film “8 Mile” placed fifth on sales of 3.5 million units. album of 2002 with sales of 7.6 million copies, according to year-end figures released by Nielsen SoundScan. Eminem’s “The Eminem Show” was the top-selling U.S.
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